#and writing them is one of mine
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another-corpo-rat · 1 year ago
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Valentine's Gift
an entirely out-of-season ficlet based on an old ask answer of @merge-conflict's dear Valentine hating the holiday that shares her name. Summary: Valentine seethes at the date, Victoria indulges with a gift. All in all, it's just a regular Monday morning. Casual death threats included.
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“Oh my, you seem miffed.” Victoria grins at Valentine’s responding huff; a heavy breath of a thing that lifts and drops her shoulders. Paired with a barely-there turn of the head to offer quite the side-eye and she’d almost think the other wasn’t happy to see her. A tickling thought. 
But the show of annoyance is brief as her attention returns to the rich cup of coffee cradled preciously, as good a ward as any against the headaches of a Monday morning. Still, Victoria can’t help but pick at clear agitation. “And here I thought today of all days would be your favourite.”
Valentine pauses. Her grip on the cup tightens, eyes thoughtful as she glances between the coffee’s bitter depths and Victoria’s white blazer. The latter’s grin sharpens, a baring of teeth more than a smile. “I’ll bury you in Silverhand’s grave if you try it.” 
Her expression is wondrous then; a passing storm too quick to be truly admired but for the forlorn cloud that dulls her eyes for a mere second. Much as she is loath to admit it, Valentine is a fellow rat through and through and a more practiced expression takes its place almost immediately. 
“Shame,” she breathes out, easing the slight tension that had been holding her body, “I wouldn’t want to ruin what we have over coffee stains.”
‘What we have.’ The words send a pleasant hum through her, preening at an already polished pride and easing her shark’s grin into an amused smirk. A soft sound brews in her chest, warm and deceptively fond in its gentle roll up her throat. 
What they have is a delicate thing, balanced tentatively on the constant push and pulls that they occasionally press too far on, a reminder to themselves and each other of where its edge lies and the promise that lurks beneath it. A delightful game that will end with one of them dead. 
But until then Valentine is hers. 
She protects hers. 
“I’m glad to see that you have some sense in you. But,” Her metallic hands chime softly as she clasps them together, “I did come here for a reason.” Valentine’s expression pinches, nose wrinkling in that endearing way she had. It tightens even more as she continues; “Related to the holiday, of course.” 
Instead of gratefulness, she’s met with a needlessly drawn out sigh and the exasperated whine; “Not you as well.” 
“Oh, come now.” She doesn’t, can’t really, keep the offense from her tone, letting it sharpen her tongue as she lashes the words. “I’m hardly here to serenade you with flat compliments and discount chocolates.” 
She doesn’t like the thoughtfulness that crosses Valentine’s face, that little twitch of the lips that promises the coming of a goading comment. “I’m not Abernathy.” 
Tension is always an interesting thing to observe. Sometimes it’s a slow drip, creeping up someone’s spine and pulling them taut, occasionally it’s a rolling motion, starting in the shoulders and working its way down. Now, it’s a fist. Slamming into Valentine, unexpectedly violent.  
It jerks her sharply, but she rights herself just as quickly. Back on her feet, adjusting her stance. She eyes Victoria now with a tightened jaw, keeping that smart little comment she had brewing firmly under lock. 
Victoria merely clicks her tongue, a soft tut of a sound as she casts her gaze purposely towards the offices of the woman in question. “She’s been making eyes at you, my dear. Honestly, I have to admire the boldness of it, after what she did.”
The sharp draw of breath would have been subtle if Victoria wasn’t so close, but it’s the expression that gives Valentine away handily. She raises an eyebrow at what appears to be…hm, horror of all things. 
“How did you—”
It’s an effort not to roll her eyes, one Victoria doesn’t bother extending. “It’s my business to know yours. That includes all the sordid little affairs you’d prefer to keep buried.” 
“It wasn’t sordid.” Comes the response, with a lot more bite to it than Victoria anticipated. Sharp and defensive. She hasn’t managed to get a rise so easily in a while. But for now she merely notes the potential of the topic, storing it away as a wound she can dig her nails into at a later date. 
“Of course,” she allows, “but we both know it didn’t have the most pleasant ending.” There’s a soft click as a compartment in her inner arm opens, the other curious but wary as she presents a nondescript shard. 
Valentine is slow to take it, tentative as if she expected a shock the moment her fingers brush the plastic.  “And this is what? A virus? Tracking software?” 
How trite. She had ruled such ideas out soundly within moments of considering her gift. “A shovel, and a heap of shit to bury her under if she tries fucking you over.” 
“And what if she just tries to fuck me?” Ah, and there’s the goading little remark meant to prick at Victoria’s territorial imperative. 
“Then I’ll pick out a pair of concrete shoes for her.” Though, giving it the barest thought – leaving a body to be potentially found wasn’t ideal. “Or I’ll feed her through the propellers of the Ebunike. I’ll see what mood she catches me in.” 
 Despite her carefully light tone, there’s no amusement in Valentine’s expression. Definitely none of the delight she was expecting. Ugh. If she still has feelings for the bitch, then that complicates things. 
But Valentine closes her fingers around the shard and considers her with a thoughtful, familiar glint to her eye. “If I go to her with this…”
“Then you’ll be the one in concrete shoes.” She snaps, teeth audibly clicking together with the force of it. “And I already know your size.” Valentine raises her chin in a challenge, holding Victoria’s eye as if she was expected to fold. As if there was anything to fold over. 
She sighs softly. “You know; most people say thank you after being given a gift.” Most people had manners, granted and she was beginning to expect that her theory that Valentine lost hers from the short time she spent in the gutters held some water. 
“This isn’t a gift. It’s a grenade.” 
“You can always return it.” She considers that option, looking to the shard in the palm of her hand. It’s a generic thing, not even Arasaka-branded. Victoria took measures to ensure she left no prints on the data, nothing to track her. 
And well, if something happens and this little exchange comes up, she’ll wave it off as merely sharing some illicit BDs Valentine had asked for. 
“Thank you, Crane.” 
“You’re very welcome, my dear. Now, I’m afraid I’ve lingered long enough. I do have my own plans for the night.” She can’t help the little twitch at the corner of her lips, the starting of a smirk that Valentine catches as well. “I hope you and the dog enjoy the little dinner he painstakingly planned.” In secret, to surprise her. 
Just a shame then that he decided to piss Adam off in the most recent security meeting.  
“What dinner—?”
“Oh, nothing special I don’t think. Though, he was particular about what chef he hired. I believe he got the old sous-chef from Embers.”
“Crane.”
The smirk isn’t so subtle now, especially not paired with her wink as she turns on her heel. Offering little more than a, “Ta-ta, Myśliwiec,” over her shoulder. 
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monkesupreme · 23 days ago
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Starving and wasting away etc etc
bonus:
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Hes tall and huge and HEAVY and he is so overly active that he has to maintain an insanely high caloric intake to make sure his body doesnt collapse from the strain of everything. He will eat virtually anything but he is spoiled from the best takeout Gotham has to offer: 11$ shrimp and broccoli from the chinese food spot that closes at 4am- among other things.
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karalovesallthegirls · 5 months ago
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Kara has always dreaded the day she’d meet her soulmate. 
There’s relief in knowing she has one, of course. The person meant for her didn’t die with Krypton. That’s something! Even still, it’s hard to feel excited for the moment they meet, because that’s the moment Kara will hurt them. She’s had their exclamation of pain inked into her skin for as long as she’s been on Earth. In some ways it’s better. Most people have phrases like “good morning” or “hold the door please” as their soulmate’s first words. They have to endure hundreds of almosts, breath held just in case that stranger really is the one. Kara won’t have to do that. Her words are far too distinct.
It's agony, thinking about how their meeting will go. She spends years imagining every possible scenario, each one more painful than the last, yet the day it happens she barely even registers it. The words wash right over her, drowned out by the loud crack as her hand makes sudden contact with a stranger's face. The telltale crunch of contact shocks her. She hadn't registered anyone was there during her dramatic retelling, otherwise she would have kept her gestures small. She wouldn't have flung her hand out with such force.
The woman she's hit is hunched over, clutching at her face. She gasped loud and sharp when it hit, and now she's just wheezily breathing in shock. Kara can see blood starting to drip down her wrist.
“Did you," the woman gasps, and her voice sounds wet. "Did you just break my nose?” Kara wants to die.
“I’m so sorry! Are you okay? I am so sorry!”
People are looking at them and the woman keeps cursing under her breath and Kara really, really doesn’t know what to do. Her hands hover uselessly over the hunched figure, desperate to soothe but scared to touch in a moment like this. “I didn’t mean to – I was telling a story and I got too excited with my hands I guess, I didn’t see you there. Are you- can I-”
She looks to Alex for guidance, but she’s just staring at the interaction with a wide-eyed wonder. Typically her sister knows what to do in a scary situation, but now she’s looking just as clueless. They’re both barely awake at this point – it’s six in the morning and they’ve been at this airport terminal since midnight, miserably watching their red eye flight push into a mid-day departure. They’re both half-delirious, which is fun when you’re goofing off but less so when you’ve just broken a stranger’s nose. 
And then it hits her. The words she’s carried on her arm for so many years are tingling, she realizes, and they’ve been tingling from the second her skin met the girl’s. 
Did you did you just break my nose?
“Oh wow,” Kara says, dumbfounded. “It’s you.” The woman falls silent. She must be realizing too Kara thinks as she fumbles with her sleeve, pushing it up enough to show her inked arm. The woman's eyes drop to the tattoo that's brought such shame to Kara for so long. She feels her eyes like a touch. “I – I’m so happy to meet you! I’m so sorry it happened like this.” She laughs and it sounds strained. Her hands are shaking. The woman doesn't look up from her arm.
Even hunched over in pain, it's clear the woman is beautiful. Important, even, considering how she's dressed. She's dressed like she's en route to lead a business conference, her tight black skirt and matching blazer scream business professional. Though the effects are tampered a bit by the splattering of blood that’s dripped down her white blouse. Kara wonders how old she is to be dressed like that. She must be older to look like that. At nearly nineteen, Kara has never had anything more than a graduation to dress nicely for, and even then she wore her stained dress pants. This woman - her soulmate - must be much older than her, which feels strange to think. She looks Kara's age, maybe even younger. If not for how clearly tailored to her body her clothes are, she'd almost look like she was playing dress up.
Kara feels self-conscious then, sharply aware of how she must look to her soulmate. As smart as it felt to come to the airport in pajamas for her all-night flight, standing in rubber duck pajama pants while trying to have a conversation with her goddess of a soulmate did little for Kara's confidence.
When Kara’s eyes finally track back up to her face, she finds sharp green ones staring back. They're the prettiest eyes she's ever seen, and they don't seem interested in looking away. That's fine with her - she's more than content to stare right back.
It's only the soft plop of blood hitting tile that draws her attention back to her crime, and she can see the way the woman's hands have become covered in blood. "Oh gosh, here - let me…”  Kara fumbles in her backpack for a moment with no clear plan. All she knows is she has to do something to fix this. She fumbles about before pulling out a clean t-shirt. “Here. For the-” She holds it out to the girl and gestures at her own face. Slowly, like she’s scared Kara might grab her or something, the woman takes the offered shirt. She wipes the blood from her face and hands, dabbing beneath her nose. The bleeding seems to have stopped, at least, and the shirt helps contain what's escaped. Watching a stranger wipe blood on her high school band t-shirt shouldn’t thrill Kara as much as it does, and yet.
Kara laughs again, the sound nervous and high-pitched, before taking a step towards her. Her soulmate’s eyes go wide, tracking her movements, and Kara's heart clenches when she steps away. The rapid race of her soulmate's heart beats into Kara's ear - she can literally hear her fear. She holds her hands up in surrender, stepping back to where she’d been before. The last thing she wants is for her to be afraid. “Does it hurt?” she asks, and her soulmate shakes her head no. “That’s good. That’s good. I- uh." She has nothing more to say, and her soulmate's certainly not contributing. Kara’s palms are sweating. She hasn’t sweat since she was thirteen, but one look from this person has her rubbing her hands on her pajama pants like a middle schooler at a dance.
The woman finishes wiping up and lets her arms fall, blessing Kara with her first real look at her face. Bloodied and skittish, she’s beautiful in a way Kara can hardly comprehend, in a way she could never imagine. Kara's pretty sure she's blushing now for some reason, and she has to flex her toes to be sure she’s still touching the ground. “My name’s Kara,” she says, and then gestures over her shoulder. “That’s my sister Alex. We’re flying home for winter break. Midvale - Midvale is home for us. Where- where are you flying to?”
The woman stares and stares, and Kara's starting to panic thinking she'd given her soulmate a head injury that's muted her somehow, when at last the woman speaks just barely above a whisper.
“Home,” she says. It feels like her heart might burst just from hearing that one stilted word. Kara wants to hear a thousand more, wants to hear nothing else for the rest of her life.
“That’s awesome. W-where’s home for you?” The woman's lip trembles as she opens her mouth, closes it, and then opens it again.
 “I’m sorry,” she says, and then throws the t-shirt at Kara’s face. 
Kara fumbles catching it, distracted by the shock and gross factor of having a blood-soaked shirt hurled at her face, and it takes her far too many precious seconds to realize her soulmate is gone. Bewildered, Kara looks around before just catching sight of her vanishing around the corner, high heels and racing heart clattering away. She looks at Alex. Alex waves at her, frantic. “Go!” Alex yells, and Kara takes off.
Pretending to be a human has never been harder than it is while chasing after her soulmate. Normal human pace - especially what's acceptable at an airport - is not fast enough for this, not when the woman has already gotten so far ahead. Kara must look ridiculous, bursting into sprints only to trip suddenly into a walk over and over again, her ears locked on to the thudding heartbeat and faint whispers of her soulmate mumbling, “crap crap crap crap,” ahead.
Kara’s thankful they’re in an airport, at least. Her soulmate can’t just run outside, and Kara is fine embracing the romcom trope of following her love onto the plane. Her soulmate stops moving ahead and Kara speeds up, nearly wiping out twice tripping over luggage and small children. Her heart is in her throat as she clears the corner her soulmate is behind and pushes her way into the door she's passed through. All the wind knocks out of her lungs then when she sees her again. The woman looks up at her in shock, as if she didn't think Kara would chase her. As if Kara would just let her go. With a visible gulp, her soulmate flees around a corner and disappears out of sight. Kara manages a single step forward before a body blocks her way, and she looks up to see a massive security guard staring down at her.
“Membership card, please.”
Kara tries to peer around him. He steps in her way, cutting her vision off. Her soulmate led her into some private place you can't just walk into, she realizes, glancing around at the sleek appearance and exclusive atmosphere. “I- uh, left my card in my other bag,” she says, gesturing back over her shoulder. She can hear her soulmate’s breathing and it's all she can focus on. She’s right there. Just out of sight. Kara is so close. “I’m afraid you need your card to enter the fly lounge,” he says sternly. He starts pushing gently at her, trying to nudge her back out of the sliding glass door she’s come in. Kara almost forgets to let him move her. “I- I’m sorry, someone I need to talk to just went in there and I-” She stops in the doorway, hand firm on the wall. She can hear the way the guard huffs against her solid pressure. She’s not acting very human right now and she knows it.
“I’m gonna have to ask you to leave, ma’am," he says, pushing more forcefully against her. Forceful enough that she knows she has to move even as all her instincts war against it. “Can- can I buy a membership? Like a day pass or something?”
The guard looks over at the front desk, making eye contact with a woman who looks like she would rather watch Kara be flayed alive than allowed another step inside.
“A day membership is $189 plus tax,” she whines out in a nasally voice, tone making clear she already knows Kara won’t be affording that. Which is accurate. Kara barely has enough to buy a meal. 
Looks like her soulmate is rich, then.
The man nudges her back again and a flash of panic echoes through her chest. For a moment, she envisions herself throwing him out the open door, tossing aside anything or anyone that tries to keep her from her future. But she’s already scared her soulmate enough for one day, so she smiles with forced bashfulness and allows herself to be walked back out of the lounge.
The frosted glass door marked High Flyers Club Lounge shuts her out mockingly. But it’s fine! Eventually her soulmate’s flight time will be here and she’ll have no choice but to come out and face her. Kara just has to be patient. (Kara hates being patient.)
She takes a seat against the wall across from the lounge entrance. Her glasses rest low on her nose as she stares her soulmate, soaking in every inch of her as she paces in the luxurious lounge. Her heart is racing, she seems on the edge of a panic attack, and Kara wants desperately to be in there with her talking her down. But she can’t, so she’s left to watch – at least until the girl steps into the private restroom. She stops watching after that. Instead, she settles down to listen to the comforting beat of her soulmate’s heart, closer now than it’s ever been.
Her mind wanders as she waits, mentally reviewing every moment of their interaction. Considering where she failed, where she succeeded. Making lists about what to say to her next. She never got her name, for one thing, and she still doesn’t know where her home is. There’s so much for her to learn.
Her mental meandering is so consuming that it takes her a bit to realize the heartbeat has moved farther away. At first she thinks her soulmate is just moving around the club, but no- she’s moving away from the airport.  A quick glance through walls shows her that her soulmate isn’t in the club anymore. The heartbeat is elevating, she realizes, and Kara runs to the glass wall just in time to see the plane - small, private, with an apparent access point from within the lounge – take off. 
Horror and confusion overwhelm her, bringing tears to her eyes. This doesn't make sense. Why would she just leave without saying a word? Why would her soulmate do that? It's almost unbearable, the pain of it. She doesn’t know how long she stands there, face pressed to the glass, listening as the heartbeat grows quieter and quieter before vanishing all together.
Kara learns a lot about grief after that. 
She knew a lot already – far more than any one person should ever know – but that grief carried a different weight. The loss of her people wasn't a choice by them. They didn't want to die. The loss of her soulmate is its own beast, sharp and cruel in her heart, because this time the person she mourns chose to abandon her. Her soulmate chose to leave. She saw Kara that morning and decided that one look was enough, that Kara wasn't worth any more of her time. She left her there with nothing but a bloody t-shirt and a thousand questions. Kara never even learned her name.
She goes through the stages – she feels her anger burning out in her eyes, feels the sorrow take hold. She denies it, she bargains with everyone, anyone. She calls the Flyer’s Club, tries calling the FAA. She tracks flight logs and makes cold calls and still finds nothing at all. She writes about it on soulmate websites and Medium articles, casting a wide net so that someday when – if, her mind reminds her. if if if - her soulmate ever looks she’ll be able to find her.  
Time dulls the sharpness, though, and the years shift that rejected feeling into a more muted anger. Kara doesn't care about the love lost. She doesn't care if the person is her other half. All she cares about is the anger. Finding her feels more like a hunt than a quest for love – she’s got a lot to say to the other woman when they finally meet again. She just wants one more meeting, that’s all. Just enough time to tell her exactly where she can go. Kara doesn’t need a soulmate, after all. Her life is full of love and joy and adventure, and she doesn’t need another person to complete her. She graduates college with a degree in English, minor in Journalism – her attempts to track down her soulmate really ignite the journalistic bug in her, and with Clark’s constant encouragement it feels inevitable. She moves to a big city despite her small-town fears and she gets a job almost no one survives. Kara is thriving.
It almost shocks her, then, the way her heart trips over itself when she sees her again.
They’re watching the trial, her and Alex, and Alex is halfway through a lecture on how she’d always known Lex Luthor was evil by the way he wore his pants – (“Good guys don’t wear their pants that high, Kara, it’s common sense.”) – when Kara's nerves jolt like a lightning bolt has rushed through her. Her gasp is so sharp Alex screams almost in sympathy. 
“What? What is it?” Alex yells at her, looking around for some danger lurking nearby. Kara tumbles to the floor practically crawling to the television screen. Someone new has taken the stand, someone she'd recognize anywhere.
“Alex,” she says, jamming her finger against the somewhat grainy image projected on her television. “It's her.” “What!” “My soulmate!" Kara knows it like she knows herself, even after all this time. She looks different. Six years of struggle sit clear in her hard gaze, her mouth twisted into solemn resignation. She looks almost casual on the stand, sitting comfortably despite the eyes of the world on her. Like it's just a regular conversation. Like she’s not about to help send her brother to prison for life. “Lena Luthor, sister of the defendant” reads the helpful banner beneath her grim face. Even after everything, Kara is struck by her. She's breathtaking. Kara kind of hates her for it. “Hold on, that’s- you barely even saw her when you met! You don’t know for sure.” Alex sounds desperate, which is fair. The younger sister of the man who tried to kill Superman is certainly not an ideal soulmate for someone like Kara, but it doesn't matter. It's her. “I’m sure,” she says, and feels the truth of it deep in her bones.
A giggle hits her then that's so inappropriate for the moment it makes her feel crazy, but she can't help it. As Lena Luthor begins to explain the piles of evidence she’s gathered against her brother, Kara giggles away. She feels almost drunk on it, smug and satisfied. “Found you,” she says, almost like a taunt. She drags her finger over the screen, feeling the static of her ancient television biting back at her as she caresses Lena Luthor's face. The anger that’s long settled inside of her seems to reignite with every charged word Lena speaks against her brother, with every glance she makes at the camera. She can feel Alex’s nervous energy behind her but she doesn’t care. The politics of this, the implications - none of it matters to Kara. What matters is she has a name, and she has a general location. She's so close she can practically taste it. “See you soon, soulmate,” Kara whispers, and for a second it feels almost like Lena is staring right back.
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lucabyte · 4 months ago
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A belief in Nominative Determinsim
#mira & isa sitting at the other side of the room: oh that cannot be a healthy rationalisation. someone should deconstruct that QUICKLY...#change's strongest soldiers VERSUS one guy echo chambering themselves about a susperstition-based retributive model of the world. GO!!!#isat spoilers#isat#isat fanart#isat siffrin#isat loop#sifloop#sloops#in stars and time#in stars and time fanart#lucabyteart#hey look now. this is softer than usual isnt it? ignore the. ignore the subtle damnation of blame unto the self. its fine. theyre fine#this is in fact a slight adaptation of that headcanon of mine i linked! yep! turns out the way to comic-ise it was to. make it like#90% speech bubble and get kinda weird with the formatting. it's clunky and experimental but hey. im experimenting.#the next ones gonna have even more fucking speech bubbles if it goes how im planning. christ#then its gonna get followed up with something wordless so. all things in perfect balance.#DISCLAIMER: i like to write loop and siffrin displaying the maybe not so great logic-holes their seeming fear of 'retribution for not#sticking to (the script) what the universe intends for them' entails. i do not agree with their weird philosophising.#i in fact think this is . bad for them. and am exploring how fucking unhealthy their mindset seems to be even when 'mundane'#OCD siffrin real as hell whats with the doing arbitrary actions in specific ways lest Something Nebulously Bad Happen little dude?#anyway if you caught the extremely blunt symbolism of kissing a hand with a knife in it you win a prize! it's called self-satisfaction 🎉🎉#hmm. do people realise i kept calling this type of back and forth between siffrin and loop a socratic dialogue bc socrates was also just#arguing with himself? like he was just making up the other guys. complete thought experiment. i also call them that because theyre WORDY!!!
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frosted-woods · 13 days ago
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autumn time to be gay and totally fine and not miserable at all
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obsidianbit · 1 year ago
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I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans
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sweetsouldhavernas · 5 months ago
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paint me like one of your french murfs
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julienbakerstreet · 1 month ago
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So I built a Sherlock Holmes name generator from every first and last name in canon. Check it out here and drop your new name in the tags!
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ohitslen · 1 year ago
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Intrusive thoughts
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blighted-lights · 5 months ago
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staring dead-eyed into the distance as if witnessing some unseen tragedy. au where ravage was in the mines pre-war and met megatron before meeting soundwave. what if. what if ravage was with megatron from the start. what if.
this is the only thing i'm gonna be thinking about for the next few days sorry (more thoughts in tags)
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shoplifting · 3 months ago
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Your silent protagonist doesn't have to use sign language btw. They don't have to write things down, either. They don't have to use language at all. Not every single person who doesn't talk can use words the same as you, or use them at all, so your favorite silent character shouldn't have to use what you consider a grammatical language to communicate in your fanart and fics. AAC exists. Drawing exists. Gestures and body language exist. Btw.
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bigboysteveharrington · 2 years ago
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Steve lowkey earning himself a reputation for liking guys and girls before he even realizes he does because he keeps interjecting and giving his own answer every time someone tries to ask Robin about guys
At first no one thinks anything of Steve’s interruption and answer when Nancy asks “what even is your type?” quite clearly to Robin and Steve immediately answers “I like girls that are way smarter than me” and everyone just assumes he’s interrupting to hit on Nancy and not to deflect
Then later someone insists some guy was flirting with Robin and she should go for it and Steve immediately goes “Are you kidding me? Robin’s way out of his league. Besides, I had a class with him and he mentioned his stamp collection in it like eight times. Do you really think she wants to sit around and pretend to be impressed by hundreds of stamps?” Still no one thinks much of it yet and if anything they think Steve might be jealous or might just have standards for who they should set her up with
It’s not until it becomes a habit of him answering questions meant for Robin that people start to think there’s a reason, but it’s not Robin they’re onto
Like when they’re having a movie night and Max is going on and on about a shirtless character while Lucas is totally unfazed but Dustin complains and El says which character she liked more and then Max turns to Nancy to break the tie and say which guy is dreamier and Nancy casts her vote, then turns to look over at Robin and ask which guy she’d go for and Steve knows who the question is for but hey he’s sitting right next to Robin so Nancy’s looking in his direction and too and she didn’t say Robin’s name, so Steve doesn’t even hesitate before dropping the name of a character and making sure he keeps the focus off of Robin and keeps everyone distracted from dragging her into that debate by immediately backing it up by saying that Max is right and giving even more reasons to choose him
But even after that, that’s mostly forgotten by the time the older group is drinking and Eddie suggests they play a drinking game and normally Steve would be all over any suggestions, but he turns down truth or dare because he knows how uncomfortable Robin would be and doesn’t want her having to choose between awkwardly lying and deflecting or doing dares she’s not comfortable with or potentially outing herself so he at least manages to change it to never have I ever because that’s a safer bet when he knows Robin hasn’t done anything with any girls
But then Steve ends up drinking significantly more than anyone else while Robin and Eddie are hardly drinking so they end up switching games and somehow they end up playing fuck, marry, kill except Nancy has no interest in getting married or discussing it and she says there’s been enough death in Hawkins and it would be more fun to play with the options as sleep with, kiss, slap. And the game is already started before anyone can ask why marry got changed to kiss and before drunk Steve can figure out how to discretely convince everyone not to. The game goes fine at first with Argyle asking Jonathan about three girls from California. It goes alright when Jonathan asks Eddie about three girls. Steve gets a little concerned when Eddie turns his attention on Nancy that he’ll put Jonathan and him in the list right in front of Jonathan, but Eddie is sober enough still that he at least has enough tact not stir the pot and blow things up on her first turn by throwing them both in in front of them
But then Nancy goes to give Robin a turn and she’s looking right at her and lists the three guys there other than Steve (possibly because she believes Robin on the platonic with a capital P thing and possibly because she doesn’t want to find out if that would waver) so of course Nancy thinks it’s clear that she must be talking to the only other girl there. And before Robin can even try to think of what lie would be the most convincing and least likely to start any awkwardness or drama, Steve’s already jumping in with “Well, I already hit Jonathan and that didn’t go well for me, so I’ll give him a break. And this situation” (gesturing between himself and Nancy and Jonathan) “is finally starting to feel normal so I don’t need to make that awkward all over again by sleeping with your boyfriend. So kiss Jonathan.” And Nancy and Jonathan are looking at him so confused and Robin is grateful for the interruption and relieved but also kind of amused by the level of thought he’s putting into it instead of just throwing out names however. Argyle’s not fazed at all and just waiting to see what he’ll get. Eddie goes from deer in the headlights startled to leaning forward with his elbow on his knee and his chin resting in his hand waiting to see where this will go to abruptly sitting up again and trying to look less interested while his leg nervous bounces and he tries to figure out if Steve is giving a detailed answer to this as a joke or because he’s putting genuine thought into the idea of being with a guy
Steve looks between Eddie and Argyle for a moment, then focuses on Argyle and is like “Sorry, I hardly know you and getting dragged into hitting Eddie or standing around and watching Tommy do it without making any move to stop him is exactly the kind of douchebag bullshit I would have pulled in high school. So I guess slap you and have sex with Eddie.” Eddie’s drink goes down the wrong way when Steve adds “Plus, guitar players are supposed to be good with their hands, right?” and he tries to play it off and not react to the fact that Steve Harrington just said he’d have sex with him and that he thinks Eddie would be good in bed even if it was just in the context of some stupid game. Meanwhile Argyle’s just like “Nah, that’s cool dude. I get it. I would have slapped you too if the roles were reversed.”
After that, a few people start wondering a little more seriously if Steve is into guys too and had his guard down while drinking. But Eddie isn’t going to press his luck without clear evidence and everyone else isn’t going to push it so they just silently wonder a little more every time Steve interjects in the girl talk with his own opinion once again
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whumpitisthen · 2 months ago
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Two whumpees who are scared of each other:
Neither of them want trouble
They are both so afraid of being near the other they avoid each other constantly
They flinch away at the slightest touch like one person and their mirror image
They are strangers, they do not trust each other, they have been burned too many times in the past and they will not be burned again
They stare at each other from a distance, not daring to actually interact
They want to avoid a fight so bad that they won't even say a word
Whumper loves seeing them together because it's amusing how similar they are
Their uneasiness around the other is promptly forgotten when Whumper arrives
Whumpee can't have friends; Whumper doesn't want them to, and we all know what happens when Whumper sees Whumpee doing something they don't like
If hungry enough, they can be bribed with food to spend time in the other's vicinity
Non-human whumpees?! Two puppy boys being very nervous with pulled back ears and big sad eyes hiding behind their owner's legs
One Whumpee lives here and in theory should be more confident than the other one, seeing as they aren't the one in a strange unknown place. That confidence flees as soon as the Other Whumpee takes even a single step in their direction. They do not want to fight, they just want to keep an eye on them at all times.
They flinch back and the other one flinches back too. They cannot stop doing this
Caretaker basically has to pretend with each of them that the other doesn't exist. If they mentioned that their counterpart is in the room right across from them, Whumpee would not be able to sleep.
They sleep as far away from each other as the room they are kept in allows, backs to the wall, staying awake until they can't anymore
I think Whumper should collar them and bind them together with a short length of chain. For enrichment purposes... For me
One of them starts to finally unwind and gently tries to connect with the other. The other does Not react well. They are both scared again
One Whumpee has a lot of scars — must be a fighter -> scary
The Other Whumpee has no scars — must be a Really Good fighter -> scary
Whumpee looks just like the Other — must be just as desperate and unpredictable/their whumper must be just as bad/they must be at a similar level of strength as them, no guarantee to win if fight breaks out -> scary
One whumpee is scared because they have been tortured into perpetual fearfulness — the other has never been tortured, but sees how bad Whumpee has it, and being the newest addition to Whumper's collection has them just as terrified
Whumper forces them to interact. The forceful, scary nature of their meetings sets back their otherwise slow natural warming up to each other by miles, having the worst kind of counter effect. Seeing the other reminds them of that time Whumper made them sit and hold hands for hours with the threat of punishment if they disobeyed
They both escape. They see each other across the street. They freeze and stare, thrust back in time, stuck in their old frightened and cautious headspace. Their caretakers are perplexed.
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lavellane · 17 days ago
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very still, without reaching
(ashara lavellan x solas. 2250 words. post-solavellan ending. hurt/comfort. major veilguard spoilers. read on ao3)
The nature of her own regrets become apparent soon enough. Mostly, as they appear to her in the fade, they relate to her regretting so very little.
There are exceptions, of course. She and Solas pass them sometimes on long, silent walks together; small, ugly things carved into barren rock, almost impossible to catch in the shadow of Solas's own towering monuments of despair. But they are there, and Ashara can always sense them before she sees them. Her least favorite recurrence pertains to a rock she threw at some shemlen farmers when she was a girl. They had returned later in the day, but they could not distinguish the difference between Dalish vallaslin , and so chose to take out their vengeance on the whole of her clan, instead. 
They had never truly forgiven her. Of all the statues of contrition this place has manifested over the months they've been here, this is the one she can't yet bring herself to face.
But there are, unexpectedly, great works of beauty here, too. Oftentimes she sees herself and Solas carved into the cliff faces, or jutting out of canyons. Old echoes of embraces, stolen kisses, intertwined fingers. She suspects their prison doesn't quite know what to do with these complicated memories, but it does its best to use them against her even so. She had regretted those moments once, after all. Or at least she thought she had. Her time in this place offers an alternative school of thought; that she had never truly regretted the choices leading her down this dinan'shiral of theirs, but rather the heart of her shame is more that she could never truly bring herself to regret them at all.
Once the fade understood this, it course-corrected. Now if she sees those statues at all, it is because she wants to.
Solas has made little progress. It is harder for him, with his regrets so numerous and so at odds with his ego. On a good day he makes her worst mistakes look infinitesimal by comparison. Sometimes he disappears for days on end, wandering aimlessly, pulled one way or another by the compass of his guilt alone. When he returns, as he always does, he says nothing, only holds her very tightly and does not let go.
In all the months (or perhaps even longer) that they've been here, they have spoken very little. More time is needed before either one of them is ready to face that looming conversation. For now, quiet comfort takes priority. For now, sex suffices. For now they sit on the edge of yawning chasms for hours on end, watching the shifting rocks, the starless skies, the shadows in mournful, flittering dance at the edge of their vision, and find solace through a tender silence in which no words are yet necessary. And when he begins to get it in his head that perhaps they are necessary, she stops him with a long, languid kiss until she feels those worries melt away between them.
It is a terrible place he's built, but it is not so terrible facing it together.
And it gets easier still. The nature of the Evanuris' prison was always to contain the regrets of beings who thought themselves gods, but she is not a god, and neither is he. Her regrets are not so insurmountable to overcome, given time, and soon, slowly, she finds the world around her starts to mirror the world inside her. At first, a singular star in the sky. Then, below it, a wisp of elfroot growing between the crack of a barren rock. The fade cannot be mapped by mere cartography or magic, but a learned mage can always find their way with enough discipline. And Ashara was, before stepping through that final rift, a very learned mage.
When Solas departs on his lonely journeys, she cultivates the place in secret. She was never one for dishonesty, and so it's the only real secret she has. She shapes the space sporadically over many months in the image of her late mother's patch of camp among their clan. With some . . . creative liberties here and there. The tent is warm and green like her mother's was, but with all the ample space and utility (and — admittedly — luxury) she had grown accustomed to over her many years as the Inquisitor. Some ugly shemlen cottage wouldn't do, and she never had a full night sleep in her Skyhold quarters, anyway.
She dreams up the smell of incense, and many multicolored rugs, and a bed that's warm but not too soft. Books; a table with two chairs; a big bathtub to share. The small fire pit in the centre might have burned the whole tent down around her were it abiding by the laws of the physical world, but it does not. It abides her.
The hardest part was the damned trees. Several times she nearly lost everything, locked in a seemingly endless standoff against the will of the very prison itself. But Solas made this place to contain monsters, and Ashara need only remind herself that she is not one. She never was. Whether the magic of this place recognises that — or if she truly did best the fade by sheer audacity alone — she couldn't really say. All she knows is that one day the trees stood tall — leafless but very much alive — as if they'd been there all along, and her impossible little clearing was all but complete.
"I've found a place I think you ought to see," she tells Solas soon after, reunited in their usual spot after several long days apart.
He seems especially exhausted this time around. He buries his face in the crook of her neck and breathes deeply. "Then I am yours to guide, as you see fit." 
He clings tightly to her hand as she leads them on, aided by the lonely light of her beloved star. Samahl , as she's come to calling it — named after her nephew. Solas would see Samahl too if he ever looked up, but he keeps his eyes defiantly low, avoiding the overhead statues of a handsome, crumbling man with Mythal's vallaslin , whose wounded gaze seem to follow Solas wherever he goes.
He will find it in himself to meet those eyes one day, a long time from now. In the meantime she lifts her head to the sky for both of them, and presses onward through the gloom.
He stops short when he sees the clearing of trees in the distance, bordered by infinite wasteland. Ashara squeezes his fingers with her own and urges him forward. "Come."
"That . . . cannot be."
"It is. Come."
Soon the cracked earth beneath their feet sprouts small, unassuming blades of grass. The riverbed they pass remains as dry as bone, but carries the unmistakable smell of wet earth after recent rain. Closest to the centre of the clearing, Ashara herself notes leaves on trees that were not there the day before. 
Solas's brow furrows, and he makes a strange noise when they reach the point where the grass is most concentrated. As it exists now, the grass is too patchy to be called a meadow, and yet it grows strongest and greenest in a perfect circle around her little tent as if it were the sun itself, nourishing by proximity. 
The tent glows faintly, lit up by the hearth and candlelight within. But it is a strange glow, which seems to extend to the whole of the outer clearing, cutting through the endless mist and shadow. For months her world has been a haze of muted gray and monochromes. This space, by comparison, bears a subtle vibrancy she might've missed if she hadn't grown so used to its absence.
The violets of his eyes are clearly visible for the first time since they arrived, shining as they scan about the clearing. "How can it be that I feel you so vividly in this place?" he finally whispers, incredulous.
"I made it," she says. "It's mine. Will you come with me a little further? I didn't bring us here to watch grass grow."
She had hoped he might at last be baited into a smile, or a sultry retort, but he only frowns at her with those same sad, uncertain eyes, and takes her hand once more. 
"It's much larger inside," she says. "Come."
"As you say."
He has to duck his head to slip inside the tarp, but the interior is as large and spacious as promised. Her fire bathes the walls in bright flickering hues of yellow and orange, and Ashara watches him give an involuntary shiver of pleasure as its warmth passes over and through him. It's a nice sight. Her pyromancy has inspired no shortage of pain and terror over the years, but in truth, it was always watching the relief of her companions faces when she warmed their soup in midwinter that had made her feel the most accomplished. 
Maybe she could dream up soup next? There are several potted plants next to her little bed. Elfroot and crystal grace, and some others even she doesn't recognise. Not quite right for soup, and yet . . . Had she put those there? Or has this dream of hers now taken a life of its own? She ponders as much, settling in amid her thick fur blankets, waiting for Solas to compose himself.
"I made this place for you as well," she tells him when he makes no move to join her.
He shakes his head despairingly. "No."
"What?" Ashara scowls. " Yes ."
"No."
" Yes ."
"This cannot be, Ashara," he snaps. "The very will of this domain is such that —"
"I don't know what to tell you. I outwilled it."
He scoffs. "The greatest tyrants of the Evanuris could not outwill it."
"I am not the Evanuris. Neither was your little bird friend, and she flew free."
"That is different. Rook had —" 
He stops himself. For a moment he looks briefly shocked, as if struck. And then his features settle. Lips pressed tight, eyes down. He seems impossibly small inside this place, and not just because it's bigger on the inside. The light doesn't touch him quite so eagerly as it touches everything else. His very presence in her room casts a long, misshapen shadow which seems to crawl unnaturally across the floor, cutting through the glow of her fire until it's very nearly pooled at her feet. 
A chill follows. 
" Varric ." Ashara holds his gaze in silence until he looks at her. "Deiadre had Varric ."
Beside her, a candle flickers. "Yes."
Ashara reminds herself: his regrets made this place. They unmade Skyhold, and nearly the world itself. They will do worse to them both now, if she allows it. 
"She had Varric, Solas."
Even in the rapidly dimming light, she can make out the unsteady rise of his chest. "She had Varric," he echoes.
"And you have me."
Solas's face falls. But then the room brighten. A little. 
He lets out a long, unsteady breath and closes the distance between them. Her little wooden bed creaks under his weight. She shifts the blankets to better drape over his broad shoulders, and he reaches out in turn, hesitating before resting his hand on her thigh. He leans down to press a kiss to the gooseflesh raised on her clavicle, courtesy of the lingering chill.
"That you would offer such a thing at all is more a testament to you than any clemency I've not earned," he murmurs against her collar. He tilts his head up as if to look upon the room, though his gaze remains soft and steadily focused on her. "This is a gift, asha'era. I did not mean to undermine your efforts, or the feat of having made this. It is perfect, just as you are. But it may not survive my presence."
"Why not? I did." 
Now Solas looks away. She cringes; inhabiting the fade has done nothing to improve her eloquence. Quickly she continues, "But even so; if it does not, we'll just have to get over it and bring it back come morning."
"And do you think you'll feel the same a dozen centuries from now? Perpetually warring with my regret?"
"I know which side I'd place my bets in a fight between regret and love."
If he has a retort for that, he's wise enough to keep it to himself.
Time in the fade passes imperceptibly. Surely their kiss lasts days, and what comes after even longer. The candles are less a gauge for the passing minutes but instead the strength of her resolve when his own doubts creep in. When the light flickers, when the incense sours, when the wind outside picks up to a roaring howl; then she focuses her efforts. Her fingers scraping down his chest, a well timed roll of the hips, a kiss with enough tongue to remind him how much he used to enjoy using his own. And still does, apparently.
In the morning — or what, at least, finally feels like morning — the trees have dried up and grass outside their tent is dead. But the tent itself is warm as ever and the air outside feels crisp and fresh and, above her, if she squints, she can make out the faint but ever-present glint of her Samahl in the sky. 
The grass will grow back. She will see to it . . .
. . . Tomorrow. This morning, she would sooner crawl back into bed and see to other things.
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melooooo17 · 3 months ago
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@openphrase123 your fanfic(s but i mainly made art of the mira and siffrin one because i cant remember words for the life of me for i do not speak french) IS???? ? SO GOOD. SO GOOD IM FOAMING AT THE MOUTH finally something to look forward to in the week fr
Mild spoilers for it ig!! But nothing too explicitly groundbreaking i dont think it'll kill your mom to look at these without having read the ff first
Don't mind the shit quality i??? I drew all these so fast theyre kinda shit and i have yet to fully acclamate isat to my artstyle so it's mid
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Teehee me when i make shitty rushed fanart to show my appreciation that i cannot put into words for my faovorite games and also authors
peep the rant in the tags
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prince-liest · 3 months ago
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daydreaming about a radiostatic safeword fail fic
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